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Sterling Silver Cubic Zirconia Earrings - studs with silver surround - size: 4mm Lavender/Lilac/Mauve - Gift Boxed - 5555LAV YtwNS3L
Sterling Silver Cubic Zirconia Earrings - studs with silver surround - size: 4mm Lavender/Lilac/Mauve - Gift Boxed - 5555LAV
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Daniel Johnston is a prolific American singer-songwriter and artist. He has been classified as an outsider musician.

His songs are typically painfully direct, and often display a disturbing blend of childlike naïvete with darker, “spooky” themes. Johnston’s singing voice is rather high-pitched, and his performances often seem faltering or uncertain; one critic writes that Johnston’s recordings range from “spotty to brilliant”. He also draws and paints; he is a cult comic book artist and his illustrations have been featured with most of his albums.

Johnston was born in Sacramento, California and grew up in West Virginia, United States, but now lives in Waller, Texas. Johnston suffers from manic depression, and has had varying luck with different treatments. He has been institutionalized for periods.

Johnston gained a cult following in Austin, Texas. Some regarded Johnston as little more than a quaint curiosity, but others recognized a genuine talent: Johnston has a knack for creating great, catchy melodies, while his lyrics are evocative and often use clever wordplay. His songs have been covered by a number of admirers.

The North Phoenix, AZ, emo-core quartet Reubens Accomplice consists of Jeff Bufano (guitar, vocals), Andy Eames (bass), Chris Corak (guitar, vocals), and Jim Knapp (drums). Formed in the mid-’90s, the band honed their act by booking and promoting their own shows (which led to opening spots with such similarly styled bands as Brainiac, Jimmy Eat World, Karate, Pedro the Lion, and the Promise Ring), as well as self-issuing their own 7″ singles. In 2000, Reubens Accomplice began working on a full-length debut for Better Looking Records but had to put the project on hold several times until its release in September 2001.

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Financial Regulation

Germany’s financial system is more stable than it was 10 years ago, but is still vulnerable to risks old and new, a top regulator says.

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The comic-book hero Superman is not only super-strong, he is invulnerable. Bullets bounce off, buildings crumble in his path, blazing heat or icy cold don’t faze him. He is, after all, the Man of Steel.

Germany’s financial system, too, is strong, the country’s top financial regulator claims. Maybe not super-strong, but much stronger than it was 10 years ago when the financial crisis broke out. However, it is far from being invulnerable.

“The financial system is more stable,” Felix Hufeld, president of BaFin, said in an interview with Handelsblatt, “but naturally not invulnerable.”

BaFin and other financial regulators, including the central bank, the Bundesbank, work together to identify trends and risks, to play through scenarios, and to monitor new activities. Mr. Hufeld believes the regulatory authorities are well-prepared to counter risks as they emerge.

“We don’t know which corner the next crisis is coming from. But we try to spot trends and to see where problems could arise.”

“We don’t know, however, which corner the next crisis is coming from,” he said. “But we try of course to spot trends and to see where problems could arise.”

Among the chief vulnerabilities of the financial system are cyberattacks – and not just hacking from the outside, but inside jobs as well. Mr. Hufeld said there was recently an internal cyberattack at a bank in Germany that could have resulted in a loss of more than a billion euros, but fortunately the money was recovered.

“We are one of the first countries that have developed concrete supervisory requirements for the risk management of IT and cyber risks,” Mr. Hufeld said. The rules will go into effect for banks by the end of the year, and then will rolled out to insurance companies and fund managers.

BaFin is also keeping a close eye on the growth in crowdlending. The practice has gone beyond just peer to peer lending to the point that loans are being bundled together and placed with investors – a development disturbingly similar to the subprime securities that contributed to the financial crisis in the first place.

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Waze drivers don't have to toggle between its app and Spotify.

By David Kaplan Mar 14, 2017 12:44PM

Driving and music are natural companions, so it makes sense that apps powered by Waze and Spotify thatreflect navigating and listening would come together.

The partnership between Waze and Spotify allows users of either one to stay within a single app to access and control the functions of both.

The idea of embedding complementary functions from one app (or more) into another — think of airlines and hotel apps letting users access a ride-hailing service within their walled garden — is becoming more common.

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, sharing APIs makes a lot of sense for most brands that can promote useful and seamless accompaniment.

“No more awkward flipping back-and-forth between apps or ending your favorite Friday-in-traffic tune to find the quickest way to the grocery store,” Waze says in a TENYE Austrian Crystal Party Tiger Flower Teardrop Necklace Earrings Set J6usv
touting the arrangement with Spotify.

The Spotify icon is visible on Waze (if Spotify is installed on the usersdevice, of course). One tap opens Spotify and the last song you listened to starts playing automatically, while the Waze navigation experience is uninterrupted.

For those who start their drive with the Spotify app, a banner at the top of streaming app’s window will prompt users to “Start Waze Navigation” without having to exit from their playlist.

The combination also would seem to strengthen Waze’s and Spotify’s audience numbers. Spotify currently claims 100 million users (30 million of whom are paid subscribers, meaning that the rest are exposed to its audio ads). For its part, Waze has 70 million monthly global users.

Considering that 60 percent of music streamers are now listening on mobile — and that music streaming ad revenue is worth $1.5 billion and expected to hita reported $7 billion by 2030 — the alliance could also help drive ad revenue for both.

Waze and Spotify were unavailable to comment on whether they would actively collaborate on ad sales, but it stands to reason that anything that generates more time-spent will impress marketers who advertise either platform.

At the moment, the audience who can access the dual functions will be a bit limited, as the combination is only available on Google Android devices (Waze is owned by Google).

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Best Western Expands Use Of AI-Powered Interactive Advertising With Watson Ads With "Ask Watson," Best Western will engage travelers in AI-powered conversations about tips and tricks for leisure travelers on their upcoming destinations. By David Kaplan, Jun 29th
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By David Kaplan, Jun 28th
About The Author
David Kaplan @davidakaplan

A New York City-based journalist for over 20 years, David Kaplan is managing editor of GeoMarketing.com. A former editor and reporter at AdExchanger, paidContent, Adweek and MediaPost.

One of my early explorations, an interplay between playful, expressive linework and familiar solid shapes, intrigued the team. I took my own experiences as a teenage WordPress.com power user all the way back from high school as an inspiration point: there is something in this expressive linework that is akin to a dot going for a walk, like the on-the-fly aspect of blogging. It feels hand-drawn, imperfect, and approachable — yet finished and polished, like a professional doodle.

The progression of balancing shapes and linework

With feedback from the team, this approach was refined down to look less cartoon-ish and a bit more mature, as a huge part of WordPress's audience is comprised of businesses. The above shows a bit of that progression in balancing line against shape. Shapework is used to groud most of the composition, and linework adds in detail as well as a bit more personality.

We also realized that whenever possible, extra details connoting a personal touch go a long way in humanizing these illustrations. Here, the whimsical flip of a piece of printer paper or small little piece of hair out of place adds a lot of personality to an otherwise serious scene (a person on their computer).

Along these lines, adding in a character interacting with a UI rather than a static computer yields a far more engaging visual. I then documented guidelines around the style on how to best balance this line and shapework, so as to allow illustrations to more firmly hold their own weight against UI.

The goods

I extended this style across spot illustations, badges, and devices using these very principles! One thing I love about this style is that it is extremely versatile; given the context, we could switch from blockier shapes to singing linework, and because of that, can also adapt well against both light and dark backgrounds.

It's been exciting to see these illustrations start to roll out in the product, especially given the reach that WordPress.com has across millions of websites.

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apps.wordpress.com

For more about the project itself, check out an interview with myself and collaborator designer Joan Rho over on the official WordPress.com blog !

Thanks

This project was a true joy to work on! One of my first experiences learning how to design and develop was with my first WordPress blog, back in high school. Friends can attest that I was a true power user — a Teenage Girl Blogger (that's what I called myself); I wrote every day and WordPress.com is one of my favorite websites. As such it was really neat to be able to come back almost a decade later and contribute in the form of illustrations and branding — full circle, almost.

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